Cover and binding of "Saracinesca" (1894) by Marion F. Crawford. Image courtesy University of North Carolina at Greensboro.

Cover and binding of “Saracinesca” (1894) by Marion F. Crawford. Image courtesy University of North Carolina at Greensboro.

Cover and binding of "The Day of the Dog" (1904) by George Barr McCutcheon. Designed by Margaret Armstrong (1867-1944). Image courtesy University of North Carolina at Greensboro.

Cover and binding of “The Day of the Dog” (1904) by George Barr McCutcheon. Designed by Margaret Armstrong (1867-1944). Image courtesy University of North Carolina at Greensboro.

Cover and binding of "The Romance of Zion Chapel" (1898) by Richard Le Gallienne. Designed by Will Bradley (1868-1962). Image courtesy University of North Carolina at Greensboro.

Cover and binding of “The Romance of Zion Chapel” (1898) by Richard Le Gallienne. Designed by Will Bradley (1868-1962). Image courtesy University of North Carolina at Greensboro.

Cover and binding of "A Queen: A Story for Girls" (1870) by Ottilie Wildermuth. Image courtesy University of North Carolina at Greensboro.

Cover and binding of “A Queen: A Story for Girls” (1870) by Ottilie Wildermuth. Image courtesy University of North Carolina at Greensboro.

Cover and binding of "The Bastille" (1901) by Denis Bingham. Designed by Margaret Armstrong (1867-1944). Image courtesy University of North Carolina at Greensboro.

Cover and binding of “The Bastille” (1901) by Denis Bingham. Designed by Margaret Armstrong (1867-1944). Image courtesy University of North Carolina at Greensboro.

Cover and binding of "The Story of Ab: A Tale of the Time of the Cave Men" (1897) by Stanley Waterloo. Designed by Will Bradley (1868-1962). Image courtesy University of North Carolina at Greensboro.

Cover and binding of “The Story of Ab: A Tale of the Time of the Cave Men” (1897) by Stanley Waterloo. Designed by Will Bradley (1868-1962). Image courtesy University of North Carolina at Greensboro.

 Cover and binding of "A Kentucky Cardinal; and Aftermath" (1900) by James Lane Allen. Designer believed to be Hugh Thomson (1860-1920). Image courtesy University of North Carolina at Greensboro.


Cover and binding of “A Kentucky Cardinal; and Aftermath” (1900) by James Lane Allen. Designer believed to be Hugh Thomson (1860-1920). Image courtesy University of North Carolina at Greensboro.

Cover and binding of "Fishermen's Luck, and Some Other Uncertain Things" (1899) by Henry Van Dyke. Designed by Margaret Armstrong (1867-1944). Image courtesy University of North Carolina at Greensboro.

Cover and binding of “Fishermen’s Luck, and Some Other Uncertain Things” (1899) by Henry Van Dyke. Designed by Margaret Armstrong (1867-1944). Image courtesy University of North Carolina at Greensboro.

Cover and binding of "On Newfound River" (1906) by Thomas Nelson Page. Designed by Lee Thayer (b. 1874). Image courtesy University of North Carolina at Greensboro.

Cover and binding of “On Newfound River” (1906) by Thomas Nelson Page. Designed by Lee Thayer (b. 1874). Image courtesy University of North Carolina at Greensboro.

Cover and binding of "The Tent on the Beach" (1899) by John Greenleaf Whittier. Designed by Margaret Armstrong (1867-1944). Image courtesy University of North Carolina at Greensboro.

Cover and binding of “The Tent on the Beach” (1899) by John Greenleaf Whittier. Designed by Margaret Armstrong (1867-1944). Image courtesy University of North Carolina at Greensboro.

Cover and binding of "Three Thousand Dollars" (1910) by Anna Katharine Green. Image courtesy University of North Carolina at Greensboro.

Cover and binding of “Three Thousand Dollars” (1910) by Anna Katharine Green. Image courtesy University of North Carolina at Greensboro.

Cover and binding of "Three wonderlands of the American West : being the notes of a traveler, concerning the Yellowstone park, the Yosemite national park, and other wonders of the great American West " (1913) by Thomas Dowler Murphy. Image courtesy University of North Carolina at Greensboro.

Cover and binding of “Three wonderlands of the American West : being the notes of a traveler, concerning the Yellowstone park, the Yosemite national park, and other wonders of the great American West ” (1913) by Thomas Dowler Murphy. Image courtesy University of North Carolina at Greensboro.

 Cover and binding of "The Exiles and Other Stories" (1916) by Richard Harding Davis. Image courtesy University of North Carolina at Greensboro.


Cover and binding of “The Exiles and Other Stories” (1916) by Richard Harding Davis. Image courtesy University of North Carolina at Greensboro.

Cover and binding of "Off Santiago with Sampson" (1900) by James Otis. Designed by Amy Maria Sacker (1872-1965). Image courtesy University of North Carolina at Greensboro.

Cover and binding of “Off Santiago with Sampson” (1900) by James Otis. Designed by Amy Maria Sacker (1872-1965). Image courtesy University of North Carolina at Greensboro.

Cover and binding of "Yesterday with Authors" (1900) by James T. Fields. Designer believed to be Theodore B. Hapgood. Image courtesy University of North Carolina at Greensboro.

Cover and binding of “Yesterday with Authors” (1900) by James T. Fields. Designer believed to be Theodore B. Hapgood. Image courtesy University of North Carolina at Greensboro.

Cover and binding of "The Cavalier" (1901) by George W. Cable. Designed by Margaret Armstrong (1867-1944). Image courtesy University of North Carolina at Greensboro.

Cover and binding of “The Cavalier” (1901) by George W. Cable. Designed by Margaret Armstrong (1867-1944). Image courtesy University of North Carolina at Greensboro.

Covers and binding of "The Wooing of Malkatoon; Commodus" (1898) by Lew Wallace. Image courtesy University of North Carolina at Greensboro.

Covers and binding of “The Wooing of Malkatoon; Commodus” (1898) by Lew Wallace. Image courtesy University of North Carolina at Greensboro.

Cover and binding of "Cumner's son, and other South Sea folk" (1910) by Gilbert Parker. Designer believed to be Bertha Stuart. Image courtesy University of North Carolina at Greensboro.

Cover and binding of “Cumner’s son, and other South Sea folk” (1910) by Gilbert Parker. Designer believed to be Bertha Stuart. Image courtesy University of North Carolina at Greensboro.

Cover and binding of "Jersey Street and Jersey Lane: Urban and Suburban Sketches" (1896) by H.C. Bunner. Designed by Margaret Armstrong (1867-1944). Image courtesy University of North Carolina at Greensboro.

Cover and binding of “Jersey Street and Jersey Lane: Urban and Suburban Sketches” (1896) by H.C. Bunner. Designed by Margaret Armstrong (1867-1944). Image courtesy University of North Carolina at Greensboro.

Cover and binding of "The Legatee" (1903) by Alice Prescott Smith. Image courtesy University of North Carolina at Greensboro.

Cover and binding of “The Legatee” (1903) by Alice Prescott Smith. Image courtesy University of North Carolina at Greensboro.

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